Takashi Shimura
13 Films
Takashi Shimura
13 Included Films
From Wikipedia, the free encyclopedia. Takashi Shimura (志村 喬, Shimura Takashi, March 12, 1905 – February 11, 1982) was a Japanese actor who appeared in over 200 films between 1934 and 1981. He appeared in 21 of Akira Kurosawa's 30 films (more than any other actor), including as a lead actor in Drunken Angel (1948), Rashomon (1950), Ikiru (1952) and Seven Samurai (1954).[3] He played Professor Kyohei Yamane in Ishirō Honda's original Godzilla (1954) and its first sequel, Godzilla Raids Again (1955). For his contributions to the arts, the Japanese government decorated Shimura with the Medal with Purple Ribbon in 1974 and the Order of the Rising Sun, 4th Class, Gold Rays with Rosette in 1980. Shimura died on February 11, 1982, in Tokyo, Japan, from emphysema at the age of 76. His effects were presented to the Film Centre of the National Museum of Modern Art, Tokyo. Description above from the Wikipedia article Takashi Shimura, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director: Akira Kurosawa
Criterion NTSC DVD overall. The 4K restoration's track is denoised and sounds muffled, but has a few of moments where it edges out in detail
Audio analysis between the Criterion 4K Blu-ray, BFI Blu-ray and Toho 4K Blu-ray
Director: Akira Kurosawa
Criterion NTSC DVD overall. The 4K restoration's track is denoised and sounds muffled, but has a few of moments where it edges out in detail
Audio analysis between the Criterion 4K Blu-ray, BFI Blu-ray and Toho 4K Blu-ray
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Akira Kurosawa
No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.
Director: Akira Kurosawa
No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.
Director: Ishirō Honda
Director: Ishirō Honda
Director: Akira Kurosawa
BFI 4K Blu-ray for video or Criterion Blu-ray for subtitles
BFI 4K Blu-ray, see detailed review However Criterion has better subtitles
Old BFI Blu-ray > Criterion Blu-ray > BFI 4K Blu-ray > Toho Blu-ray See DonaldMcDonald's post
Director: Akira Kurosawa
BFI 4K Blu-ray for video or Criterion Blu-ray for subtitles
BFI 4K Blu-ray, see detailed review However Criterion has better subtitles
Old BFI Blu-ray > Criterion Blu-ray > BFI 4K Blu-ray > Toho Blu-ray See DonaldMcDonald's post
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Masaki Kobayashi
Director: Masaki Kobayashi
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Akira Kurosawa
13 films